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Retrospective - Amos Guttman

Amos Guttman – Painting studies – An exhibition

Amos Guttman (1954-1993) was a filmmaker and a screenwriter, one of the more important auteurs of the Israeli cinema’s young New Wave. His films, such as “Drifting”, “Himmo, King of Jerusalem” and “Amazing Grace” presented the viewers with a new artistic vision, both visual and conceptual. Guttman mostly dealt with topics such as homosexual life, loneliness, alienation and the AIDS pandemic – which he himself succumbed to at the age of 38.

We are proud to present a selection of sketches and works from Guttman’s estate which were donated to the Tel Aviv Cinematheque by his family. The works present a surprising and almost unknown aspect of Guttman the artist – graphic abilities that correspond with his aesthetic approach as it is shown in his cinematic persons of influence. We can also see the private side of Amos Guttman through the birthday card illustration he made for his beloved niece, Maureen.

The works shown are from the Amos Guttman’s collection, the archive of Tel Aviv Cinematheque Library of Cinema.

This exhibition is part of Amos Guttman Retrospective

Bar 51

Amos Guttman’s second feature film tells the story of a brother and sister from the country, who decide to find their luck in the big city Tel Aviv after the death of their mother. They meet Apollonia, the owner of a sleazy joint called “Bar 51”, who employs them at the bar, mostly because of her strong attraction to the brother, who in turn, is secretly in love with his own sister.
Apollonia is played by Ada Valerie Tal, the first Israeli transgender actress, and her character is based on Gila Goldstein, who used to perform at the real “Bar 51”.
“Bar 51” is a stylish creation that reminds of the early works of Fassbinder and Almodóvar.

Contains depictions of violence, including sexual assault and self harm.

This movie is part of Amos Guttman Retrospective

“Drifting (Nagu’a)” & show by Aviv Shriki

Before the screening: short musical performance by Aviv Shriki – songs inspired by Amos Guttman’s work.

Amos Guttman’s debut film is a groundbreaking cinematic piece and considered to be the first Israeli feature film that deals directly and seriously with the subject of gay men in Israel.
Robi lives with his grandmother and works in her grocery shop. Robi has two obsessions – men and movies. All his sexual encounters are channeled towards fulfilling his dream – becoming a film director.

This movie is part of Amos Guttman Retrospective

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Taboo: Amos Guttman

After the screening – conversation with the creators.

While alive, Amos Guttman was a “red flag” for Israel’s conservative film establishment. As a gay filmmaker, he created the nation’s first films on the subject. Guttman aimed to make films for the few, yet he also wanted global connections — films that Derek Jarman or Pedro Almodóvar could watch by chance and feel understood. Unfortunately, Guttman had time to make only four features and four short films before dying of AIDS.
“Taboo: Amos Guttman” uses excerpts from his very last interview and other, previously unseen materials, letting historical materials tell his story and reevaluate his choices on and off the set.

This movie is part of Amos Guttman Retrospective

Himmo, King of Jerusalem

Amos Guttman’s third film is an adaptation of a book by Yoram Kanyuk.
Even though the film doesn’t deal with explicit LGBTQ themes, but with the Israeli War of 1948, it is steeped with criticism of the existing societal norms and the ideal of masculinity. Guttman’s unique style and cinematic language are imbued well in this film. There is a prevalent subtext of homoeroticism and complex relationships between the soldiers, especially Frangi and Assa (played by the young Amiram Gabriel and Dov Navon).
Hamutal, a young nurse who volunteers in a military hospital improvised in an abandoned monastery, is inexplicably drawn to Himmo, a soldier severely injured during the battle for Jerusalem. Favoritism sparks jealousy among the other wounded soldiers and highlights the tension between attraction and revulsion, compassion and pain, the life force and the wish to die – a conflict that is accentuated by Edna Mazia’s macabre and humoristic dialogues.

This movie is part of Amos Guttman Retrospective

Fabric Stories

After the screening: conversation with the reporter Itay Yakov and the designers Dorin Frankfurt & Yuval Caspin.

Amos Gutman’s first film, discovered in the Channel 1 archives and restored, tells the story of Israeli fashion. But more than that it reveals the birth of one of the most important local filmmakers.
The film was made in 1978, 5 years before Gutman’s directorial feature film debut “Drifting“ (“Nagu’a”). On the surface it’s a documentary focusing on the Israeli world of fashion in the late 70’s, but in fact, the film uses that world to produce a cinematic
language incorporating different styles from scene to scene. Rather than your typical talking heads and fashion footage, this is a much surrealistic journey of what Gutman himself saw and perceived as fashion.
At the time, the film did not sit well with TV executives and after single screening was sent to the archives.

In association with the Film Archives of Israeli Television – Channel 1

This movie is part of Amos Guttman Retrospective

“Amazing Grace” & Panel actors and crew

Before the screening: conversation with actors & crew members who worked with Amos Guttman.

Newly-Restored Digital Copy of Amos Guttman’s final masterpiece.

Young Jonathan moves to the city, but can’t find happiness. He meets the older Thomas, who recently returned from years abroad and is hiding the fact he’s been diagnosed with AIDS. The two develop a tender relationship, yet only one of them knows that their time together is about to run out.

“Amazing Grace” was made in the early nineties, when AIDS and HIV were discussed in a very politically incorrect way. Nonetheless, it is still a very touching film, thanks to Guttman’s gentle direction and the excellent performance by the cast.

Amnon Zalait is responsible for the beautiful cinematography of the film and Arkadi Duchin for the wonderful original music. Excellent editing by Einat Glaser-Zarhin.

The New Digital Copy supported by Israel Film Fund, Mifal Hapais, Israel Film Archive Jerusalem, Maureen Friedman

Special thanks to Maureen Friedman.

Clip from “Amos Gutman, Filmmaker“

 

This movie is part of Amos Guttman Retrospective

Guttman X 5

Special cinematic project produced by TLVfest and supported by The Yehoshua Rabinovich Foundation for the Arts.
Five different episodes inspired by the life story and films of the director Amos Guttman.
Animated sequences between the episodes were done by the animator Mysh.

The different plots in the project are ranging in genres and different cinematic styles:
1) Sivan Levy brings a video clip about a prostitute, two drug addicts and sexually exploited young man, who are successful in escaping their bitter fate for some moments of grace in the bar which serves as a place of refuge.
2) Yoav Inbar takes us to the beginning of the 80th and tells the story of a young boy from Haifa who decides to make a journey to the gay garden in Tel Aviv.
3) Ronny Almog and Emil Ray in a movie about a middle-aged film director who speaks with young director from “Drifted” (1983) and wonders what has changed for the LGBT people in the past thirty years.
4) Yoav Brill tries, in an animated film, to follow after one of the most intimate and public practices – two guys holding hands.
5) Stephanie Abramovich introduces us to Kati Gutman – it’s been twenty years since her only son Amos died of AIDS. Today, for the first time, she dares to open past wounds.

This movie is part of Amos Guttman Retrospective

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