Rex Gildo: The Last Dance

One of Germany’s senior queer film directors, 79 years old Rosa von Praunheim, concocts a tragic and camp doco-drama that tells the story of Rex Gildo, who was at his prime German Elvis or German Cliff Richard.
Rex Gildo was one of the most successful German singers in the 60’s and 70’s, who was reduced to doing gigs at folk festivals and shopping malls in the 80’s and 90’s, as his popularity declined. While he continued to perform and was perceived as a sex symbol, he faked a marriage to a woman, though he was actually having a secret relationship with his male agent, and later had a string of affairs, including with his driver and PA.
Rosa von Praunheim tells the story of Rex Gildo, exploring the devastating pain of having to live in the closet, despite, and because of his enormous success.
The film includes interviews with actresses and singers who performed alongside Gildo and were presented by the tabloids as his lovers, such as the legendary Vera Tschecowa and Cornelia Froboess.

In association with Goethe Institut

Burning Days

Turkish director Emin Alper’s film is a smart and political thriller with heavy homo-erotic undercurrents (no sex or daring nudity, but the intentional sexual tension between the two protagonists is sky high).
Emre is a young prosecutor in the Turkish Ministry of Justice, sent to a small town suffering a terrible drought and an even more terrible corruption. He can’t imagine what a mess he’s getting himself into when he decides to start investigating the mayor, his dodgy son and the surrounding them businessmen.
This is Emin Alper’s (one of Turkey’s current leading directors) fourth film and he has created a precise Hollywood thriller in an early David Fincher style, but instead of blue and cool hues this film is painted in the yellow, brown and red of the waterless village, hot and sweaty and leaving you choking.
Adding to the dense atmosphere is the exhilarating cinematography of Christos Karamanis, the precise editing and the end that will leave the audience gasping.

Interview with the director and lead actor.

Additional screening: Haifa Cinematheque 5.11.2022

Hypochondriac

Director in attendance

Will is a young artist who seems to have it all – a loving partner and a job in pottery that he loves despite his annoying boss. Unfortunately under his cool latino façade hides a dark past of violence and mental illness he is desperate to hide. When Will’s bi-polar mother gets in touch after years of silence, Will starts to experience inexplicable symptoms. After getting injured at work, Will gradually loses the use of his arms and something evil is lurking in the shadows. Will is becoming obsessed, determined to solve the mystery of his past. He begins to suspect his partner, loses control over his body and starts seeing a strange wolf figure whenever he’s in a crisis. Is he turning into his mother?
Hypnotic debut film by director Addison Heimann is a complex, exhilarating horror film depicting a violent journey into the soul of a man who is losing his sanity. Zach Villa is exceptional as Will.

Viewing is 18+ due to explicit nudity and violence.

Rodeo

Director & screenwriter/actress in attendance

Director Lola Quivoron’s debut film had rightly won the judges awards in the “Un Certain Regard” segment of the 2022 Cannes Film Festival. It is one of the more entrancing films of the last year.
Julia is a young woman on the edges of society. She makes a living through petty crimes and has an endless passion for riding motorcycles. One hot summer day, an accident helps her make her way into a group of motorcyclists who get their thrills by riding hard and fast and perform acrobatics with no helmets on. This group of misfits is working for a mobster who is in prison and controls them from afar. Julia gains his trust through her talents in petty crimes, but then she meets his girlfriend and her son.
Julie Ledru is hypnotic in her debut role, and shows some real star quality. In her debut film Lola Quivoron delivers a breathtaking experience.

Additional screening: Haifa Cinematheque 2.11.2022

In association with the French Institute

Finlandia

The ‘Muxes’ are a unique group of people in Oaxaca state in Mexico. They are an example of a third gender, and proof that gender norms are a lot more fluid than what we might think.
“Finlandia” is a spectacular film about a community not many people know. Marta is a fashion designer who is assigned to explore this vibrant muxes community for ideas for a new fashion line of a high fashion company. She pretends to be a curious Spanish tourist and befriends the heads of the community, while hiding her real intentions. As the friendship between Marta and her new acquaintances becomes stronger, she begins to question the integrity of her assignment.
In his debut film, director Horacio Alcalà brings to the big screen the breathtaking views of the southern Mexican desert and combines artistic and visual cinema with a sweeping melodrama full of love for the Muxes community.

In association with the Embassy of Mexico

Becoming Charlie

Becoming Charlie” is a short web-series about a search for identity.
Discovering their non-binary identity takes not only Charlie, but everyone close to them out of their comfort zone, and shakes up some seemingly unshakeable truths.
Charlie, in their early 20’s, are still living with their mother Rowena, who has no control over her own life or finances, both she and Charlie move from one job to the next. It seems the only let out for Charlie is rap music. Charlie is working as a courier and realises more and more that everyone’s expectations of them don’t resonate with what they’re feeling. On top of that, there’s tension in the family – Rowena’s sister Fabia tries to collect some old overdue debts and causes a chain reaction.
Charlie finds themselves wondering more and more “Where do we belong?”

Courtesy of ZDF

In association with Goethe Institut

Neon Spring

Laine is 20 years old and loves techno rave parties. Her parents are each deep in their own world and barely speak to each other. Even though she lives with her father, she is the one taking care of her mischievous younger brother. Laine yearns to connect with her emotionally distant father, but mostly gets a cold shoulder. She finds release in the underground techno scene of Riga. There Laine meets young men and women who are just like her and even falls in love. The more things turn bleak at home, the more Laine gets swallowed by the party scene and puts herself and those close to her in danger.
Neon Spring” is a coming of age film about finding your place in the world, looking to belong and the desperate need for human connection. Even though the film deals with complex issues, its approach is fresh, daring and very surprising, considering its country of origin.
Portraying Laine is the very impressive Marija Luize Melke, who also co-wrote the script with director Matiss Kaza. The result is an unapologetic and complex youth experience.

Viewing is 18+ due to to scenes of sexual violence and drug abuse.

Director in attendance.

El Houb – The Love

In “El Houb – The Love” we meet Karim, a Moroccan-Dutch successful businessman, who decides to come out to his conservative Muslim parents after an ultimatum from his partner. In order to make them listen to him, he barricades himself in the family home pantry, the closet with household appliances, canned food and the main electric board. While he’s hiding in the closet, Karim relives childhood memories, negotiates with his partner and participates in a long overdue battle with his parents and brother trying to change their conservative attitudes.
El Houb – The Love” is loosely based on the real life experiences and theater work of Fahd Larhzaoui who portrays Karim.
Lovely guest appearances by Lubna Azabal (“Incendies”, “Tel Aviv on Fire”) as Karim’s tough and traditional mother who keeps trying to feed him Moroccan sweets even while threatening to disown him, and by Slimane Dazi, the French-Moroccan actor as Karim’s sensitive father.
El Houb – The Love” is a film that is all heart.

8 Years


Please be aware – the screening is NOT in Tel-Aviv Cinematheque.


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Spanish dramatic comedy “8 Years” takes us to the breathtaking views of the Canary Islands and raises the question “How do you get over your true love? “.
Jose considers David to be the love of his life, but when David breaks up with him after eight years together, Jose is haunted by memories of their relationship. Those memories take him back to the place where the two met, and back to the past that wasn’t as ideal as he remembered.

Miguel Diosdado and Carlos Mestanza are wonderful as Jose and David, as well as guest appearances by the legendary Isabelle Torres (from the mini-series “Veneno”), in her last role before her death, and by the Netflix star Sergio Momo (“Elite”, “Welcome to Eden”, “The Neighbour”), who steals the show as a sexy mobster.

Viewing is 18+.

In association with 

Soy Nino

Bastian is a young trans boy from Chile who is facing a very difficult time – adolescence. It all becomes much harder when he has to devote most of his efforts into expressing his own individualism. His cousin, film director Lorena Zilleruelo, followed and filmed Bastian from the age of 12 until he was 18 years old, and witnessed his most intimate, moving and hard moments. This is also the journey of Bastian’s parents, who decide to support their son despite their own difficulties and eventually become activists for trans rights.
Despite the support he receives at home, Bastian has to face social and economical difficulties that might jeopardise his ambitions.
Bastian’s journey introduces us to a more trans tolerant Chile, thanks to a new and liberal generation.