טקס פתיחת הפסטיבל והקרנה “כולנו זרים”

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21.12, 20:00 –
לפני ההקרנה: טקס חגיגי בהנחיית איילת רובינסון וגל ניסים
הופעה מיוחדת של גלינה פור דה ברה
פרסי הוקרה של הפסטיבל יוענקו לגילה אלמגור ואביגיל שפרבר


21.12, 22:00 – הקרנה נוספת, ללא טקס והופעה.



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“כולנו זרים” בבימויו של אנדרו היי (“45 שנים”, “Weekend”) ובכיכובם של אנדרו סקוט, פול מסקל, ג’יימי בל וקלייר פוי, עוסק בתסריטאי צעיר שמפגש עם שכן מסתורי, משנה את מהלך חייו.
הסרט אשר נחשב לאחד הסרטים המסקרנים והמדוברים של עונת הפרסים הקרובה, עם דיבור חזק על מועמדות לפרס האוסקר לסרט הטוב ביותר ולשחקנים הטובים ביותר, יוקרן בבכורה ארצית בפסטיבל הבינלאומי ה-18 לקולנוע גאה.

לילה אחד במגדל הדירות הכמעט ריק בלונדון העכשווית, לאדם (אנדרו סקוט) יש מפגש מקרי עם שכן מסתורי בשם הארי (פול מסקל), אירוע המעורר חיים בשגרת היומיום שלו. כאשר מערכת יחסים מתפתחת ביניהם, אדם נמשך אל זיכרונות העבר ומוצא את עצמו חוזר אל עיירת הפועלים שבה גדל ולבית הילדות בו הוריו התגוררו. להפתעתו, הוריו (קלייר פוי וג’יימי בל) שנפטרו לפני זמן רב, עדיין מתגוררים בבית ונראים בדיוק כפי שנראו לפני 30 שנה.

All of Us Strangers

All of Us Strangers” directed by Andrew Haigh (“45 years”, “Weekend”) and starring Andrew Scott, Paul Mescal, Jamie Bell and Claire Foy tells the story of a young screenwriter that a meeting with a mysterious neighbor changes the course of his life. The film, which is considered one of the most interesting and talked about films of the upcoming awards season, with a good chance of landing multiple Oscar nominations for Best Film and Best Actors, had its national premiere at the 18th edition of the TLVfest.

One night, in an almost empty apartment tower in current London, Adam (Andrew Scott) has a random meeting with a curious neighbor Harry (Paul Mescal), a meeting that brings life to his daily routine. When a relationship starts to develop between them, Adam is drawn to the memories of his past and finds himself returning to the working-class town where he grew up in and his childhood home where his parents lived. To his immense surprise, his long deceased parents (Jamie Bell and Claire Foy), still live in the house and look exactly as they did 30 years ago.

Patagonia

The debut feature by Simone Bozzelli is a spectacular cinematic piece about escaping a gilded cage and choosing a vagabond life of freedom with the ultimate goal of chasing love.
20-year-old Yuri lives a sheltered life with his elderly aunt in a small town in the Italian countryside. He has never left the town and is satisfied with his life besides his aunt who works at the local butcher. This is all he knows.
One day Yuri meets Agostino, a wandering clown, charismatic entertainer and a children’s parties magician. Yuri immediately takes a shine to the free spirited Agostino – he represents everything Yuri never knew he needed, like independence and freedom. The two decide to go on a joint journey, but what seems to Yuri at first as a dream of self discovery, turns into a nightmare…
Viewing is 18+ due to nudity, explicit sexual content and violence.

Blue Jean

England 1988 – Margaret Thatcher’s conservative government is about to pass a law that will not allow gay men and women to work in the education system. Out of fear for her job, PE teacher Jean is forced to live a double life. Her personal life becomes even more complicated when her activist partner starts pressuring her to come out of the closet. When a new student in Jean’s school shows up unexpectedly in the local lesbian bar where Jean and her friends hang out, the meeting pushes Jean further towards the edge and challenges her life choices.

Blue Jean” is a portrait of a woman who only wants to keep her life and identity private, while the social and political reality, that is so much bigger than her, will force her to make a stand. Rosy McEwen takes the screen by storm as Jean. Georgia Oakley’s debut film was already screened in over 50 festivals worldwide and has rightly won many awards.

 

Winter Boy

Christophe Honoré’s (“Dans Paris”, “Love Songs”, “Man at Bath”) new film is an autobiography, and for the first time brings the director’s story to the big screen.
Winter Boy” comes to the TLVFest after its international debut at Toronto Film Festival and following the win for Best Actor for the rising star Paul Kircher in the San Sebastian Film Festival.

Lucas (Paul Kircher) is going to a boarding school, far from the small town where his parents live, and has a boyfriend, a fellow student. Lucas has endless joie de vivre and he can’t wait to graduate and join Quentin (Vincent Lacoste), his older brother, in Paris. A sudden tragedy turns Luca’s world upside down and everything he took for granted is suddenly taken from him. Lucas is filled with sadness and despair, lost in his own pain. His mother Isabelle (Juliette Binoche in a very moving role) doesn’t really know how to help her young son. Lucas joins his older brother in Paris, but Quentin is not emotionally available to support his young sibling, and so 17 years old Lucas has to find his own path, looking for solace in the cold wintery Paris, through dating apps and problematic sexual encounters.
Paul Kircher is perfect as Lucas, a blunt young man who cannot express, contain or release the enormous pain he’s carrying. His scenes with Juliette Binoche create intense and heartfelt complexity.
“Winter boy” gives us an intimate glimpse into the world of a teenager on the cusp of adulthood and the journey of that boy to try and find his way back to hope.

Additional screening: Rosh Pina Cinematheque

Salty Water

Based on the experiences of director/screenwriter Henrika Kull, one of the more interesting queer filmmakers in Germany today (her film Bliss” was screened at the TLVfest 2021). This time her movie is set in Israel.
In “Salty Water” Kull describes the sexual tension between Anna, a young woman visiting Israel from Germany and Nuri, an Israeli man that she had just met through a mutual friend. For the last decade, until she met Nuri, Anna’s partner had been a woman. Feelings begin to emerge between the two as they decide to take refuge in Nuri’s parents’ deserted house in the mountains between Jerusalem and Tel-Aviv, in the middle of a military operation, when missiles are being launched at Tel-Aviv by the Hamas. The young couple spends two intense days by the pool protected by the ‘Iron Dome’, two days where feelings and secrets will be revealed.

Housekeeping for Beginners

משק בית למתחילים

Director Goran Stolevski (“You Won’t Be Alone”) had won a Special Mention award at the 2018 TLVFest for his wonderful short film “Would You Look at Her”. This time he brings us a moving, universal and different piece on motherhood and family.

Dita (Anamaria Marinca, “4 months, 3 weeks and 2 days”) never wanted to be a mother, but life forces her to raise her partner’s daughters – Mia, the youngest, is a trouble magnet and Vanessa is a rebellious teenager. In order to keep custody of the girls Dita must marry her gay roommate and get help from his young Roma boyfriend who found refuge in this unstable house. Now all those very different people will have to learn how to be a family together.
The film was shot in Cinéma vérité style and watching it feels very realistic, with an intense and dense atmosphere that tells the story just as much as the plot.

Macedonian entry for Best International Feature Film at the 96th Academy Awards

 

An Afternoon with Patrick Sarfati

An Afternoon with Patrick Sarfati” is exactly what it sounds like.
After a year of meetings and bonding, filmmaker Anthony Hickling and photographer Patrick Sarfati make the move. The moment of truth has arrived, getting a camera into the living room of the legendary stills photographer that began to document the LGBTQ community back in 1979 and focused mainly on LGBTQ artists and cultural icons. Sarfati’s living room is a stunning archive of photos from many decades, portraits of celebrities that hide fascinating stories and amusing anecdotes that he shares with glee. With some of his subject Patrick had a friendly relationships and sometimes even beyond – Keith Haring, Jeanne Moreau, Coccinelle, Bette Davis, Grace Jones, Jean-Paul Gaultier, Roland Barthes, James Baldwin, Tom of Finland, Jean-Claude Van Damme and many more.
This is an intimate meeting with a very colorful and fascinating character that you’d love to spend an afternoon with.

On the Go

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The screening will be preceded by the short movie “In My Own Image”.


Imagine “Easy Rider” meets early Greg Araki films such as “Totally F***ed Up” and “The Living End” and pour over some hot and sassy Spanish passion and you’ll end up with the anarchistic creation by directors/screenwriters María Gisèle Royo and Julia de Castro, starring Omar Ayuso (“Elite”) in a very daring role.
37-year-old Milagros is a young carefree woman in her last years of fertility, while 24-year-old Jonathan, her best friend, is obsessively looking for comfort on Grindr in order to overcome his separation anxiety. Milagros is looking for sperm, Jonathan just wants to run away after burning down a club. The two embark on a roadtrip where they will meet a mermaid, one night stands and criminals, all while listening to great music.
This is a film about contemporary young men and women who think they live in the age of free choice with unlimited options, but the truth is – the beginning of the 21 century freedom is nothing but an illusion.
The film was shot entirely on a 16mm camera.
Viewing is 18+ due to nudity and explicit sexual content.

In association with the Embassy of Spain


In My Own Image
Director, Script & Producer: Giuseppe Bucci
With: Mariano Gallo, Eva Grimaldi, Salvatore Langella
Italy, 2023, 12 min, Italian with English subtitles

Francesco fails to feel sorry for the death of his father, a homophobic and bigoted man mainly due to his religious upbringing. The son has never confessed his homosexuality to his father and, desperate, he makes a very strong gesture to shout his homosexuality to God, the Vatican and his father.

Narrow Path to Happiness

Gergo and Lénárd are a young gay couple with a big dream – to write, direct and star in a musical film based on their lives. But dreams and reality don’t go together. They live in a remote Roma community in the poorest region of Hungary, in a very religious environment where being gay is considered a mortal sin. The two decide to move to Budapest in order to realize their cinematic dream.
The couple soon discovers that life in the big city isn’t easy either – they have to work backbreaking jobs while dealing with the rise of LGBTQphobia in Hungary. For the first time in their lives they visit a Pride Parade and demonstrations. While Gergo attempts to start a singing career, the two give an interview to the local press and become local celebrities. But only meetings with a screenwriting student give them hope for the future. Following the sudden death of Gergo’s mother they will have to go back to the community they’ve left behind and to the family who turned their backs on them for one final closure.

Director Kata Oláh created an intimate documentary about a hopeful couple with big dreams in a very difficult country.