Drama 2024 Archives - Page 6 of 7

Bar 51

Amos Guttman’s second feature film tells the story of a brother and sister from the country, who decide to find their luck in the big city Tel Aviv after the death of their mother. They meet Apollonia, the owner of a sleazy joint called “Bar 51”, who employs them at the bar, mostly because of her strong attraction to the brother, who in turn, is secretly in love with his own sister.
Apollonia is played by Ada Valerie Tal, the first Israeli transgender actress, and her character is based on Gila Goldstein, who used to perform at the real “Bar 51”.
“Bar 51” is a stylish creation that reminds of the early works of Fassbinder and Almodóvar.

Contains depictions of violence, including sexual assault and self harm.

This movie is part of Amos Guttman Retrospective

“Drifting (Nagu’a)” & show by Aviv Shriki

Before the screening: short musical performance by Aviv Shriki – songs inspired by Amos Guttman’s work.

Amos Guttman’s debut film is a groundbreaking cinematic piece and considered to be the first Israeli feature film that deals directly and seriously with the subject of gay men in Israel.
Robi lives with his grandmother and works in her grocery shop. Robi has two obsessions – men and movies. All his sexual encounters are channeled towards fulfilling his dream – becoming a film director.

This movie is part of Amos Guttman Retrospective

Tropicana

After the screening: conversation with the creators.

Special Tel-Aviv Premiere

Omer Tobi, the talented director behind the music videos for gay party line “Arisa’’ and the creator of the musical TV series “HaYoresht” (“The Heiress”), in a surprising, daring and unusual debut film,

Orly Belaish, a lonely middle-aged woman, splits her time between her monotonous job at a supermarket and caregiving for her ailing mother and family members. The mysterious murder of the head cashier at the supermarket leads to Orly’s promotion, and her status in the supermarket rises. Along with this new role, Orly also inherits the deceased cashier’s dark past – a past that will take her on a journey into the depths of her repressed desires, revealing her deep longing for warmth and human connection.

“Tropicana” is a meeting in a forgotten small town in the south of Israel between Ulrich Sidle, David Lynch, the Dardenne brothers and Keren Yedaya. The result is one huge mindfuck.

“The Binding” – Closing Film

World Premiere!

Life partners Eyal Kantor and Yoav Keren are without a doubt the most prolific queer independent filmmakers in Israel at the moment. TLVfest’s closing film is their newest feature – “The Binding”. Be prepared for one of the most daring gay films ever made in Israel.

Benjamin’s life is about to change when Avinoam (Shimon Mimran), his religious boss, comes to his aid. Under Avinoam’s wing Binjamin finds a safe place until an unexpected event will force the two to spend a Shabbos together and will bring to the surface dark secrets from their past.
“The Binding” is a gay suspense drama that deals with some very relevant issues, such as conversion therapy and religious oppression.

Viewing is 18+ due to explicit sexual content and violence.

Marzipan Flowers

A special screening in memory of Rotem Kalderon, mother of Adam Kalderon
All the proceeds from the screening will go to the rebuilding of kibbutz Be’eri

Before the screening: Opening words
After the screening: conversation with Mika Kalderon, actresses: Nouli Omer, Tal Kalay and Efrat Aviv, and the producer Ori Hod.

Adam Kalderon, a native of kibbutz Be’eri, filmed there his debut feature “Marzipan Flowers” during the military operation “Amud Anan” (2012). The script was inspired by events from his mother’s life, who also assisted with the production. A decade had passed since the release of this special and different film. Kalderon’s 2nd feature “The Swimmer” screened at TLVfest 2022.

Hadas is working at the kibbutz laundry, when she’s informed that her husband Moshe was killed in a traffic accident. In one second Hadas’ entire world crashes down. After a hard year of mourning, the kibbutz is getting too stifling for Hadas and she realizes she can’t move on with her life. She decides to leave the kibbutz, where she lived her whole life, in favor of a new life in Tel Aviv. Penniless and provincial, she shares an apartment with Petel, a vibrant trans woman, and works as a waitress. The journey to the big city makes Hadas confront the fact that her youth is gone, but also with the dreams she never fulfilled, and she decides to realize those desires: she opens up her own place and experiences a late marzipan blossoming.

Himmo, King of Jerusalem

Amos Guttman’s third film is an adaptation of a book by Yoram Kanyuk.
Even though the film doesn’t deal with explicit LGBTQ themes, but with the Israeli War of 1948, it is steeped with criticism of the existing societal norms and the ideal of masculinity. Guttman’s unique style and cinematic language are imbued well in this film. There is a prevalent subtext of homoeroticism and complex relationships between the soldiers, especially Frangi and Assa (played by the young Amiram Gabriel and Dov Navon).
Hamutal, a young nurse who volunteers in a military hospital improvised in an abandoned monastery, is inexplicably drawn to Himmo, a soldier severely injured during the battle for Jerusalem. Favoritism sparks jealousy among the other wounded soldiers and highlights the tension between attraction and revulsion, compassion and pain, the life force and the wish to die – a conflict that is accentuated by Edna Mazia’s macabre and humoristic dialogues.

This movie is part of Amos Guttman Retrospective

Eyes Wide Open

Before the screening: an introduction by the creators.

Aaron is a respected butcher in one of the ultra orthodox communities in Jerusalem, he is married to Rebbeca and they have two children. When Aaron is looking for an assistant to fill his deceased father’s place in the shop, he meets Ezri, a handsome yeshiva student who is looking for a place to stay.
Aaron takes Ezri under his wing and becomes his mentor. One day, at a remote mikve (a Jewish ritual bathhouse), a deep connection is formed that is shaking Aaron’s whole being. Aaron is developing feelings towards Ezri, spends more and more of his time with him, neglecting his family and his duties to his community and gets swept into a vortex he can’t get out of.

“Amazing Grace” & Panel actors and crew

Before the screening: conversation with actors & crew members who worked with Amos Guttman.

Newly-Restored Digital Copy of Amos Guttman’s final masterpiece.

Young Jonathan moves to the city, but can’t find happiness. He meets the older Thomas, who recently returned from years abroad and is hiding the fact he’s been diagnosed with AIDS. The two develop a tender relationship, yet only one of them knows that their time together is about to run out.

“Amazing Grace” was made in the early nineties, when AIDS and HIV were discussed in a very politically incorrect way. Nonetheless, it is still a very touching film, thanks to Guttman’s gentle direction and the excellent performance by the cast.

Amnon Zalait is responsible for the beautiful cinematography of the film and Arkadi Duchin for the wonderful original music. Excellent editing by Einat Glaser-Zarhin.

The New Digital Copy supported by Israel Film Fund, Mifal Hapais, Israel Film Archive Jerusalem, Maureen Friedman

Special thanks to Maureen Friedman.

Clip from “Amos Gutman, Filmmaker“

This movie is part of Amos Guttman Retrospective

Guttman X 5

Special cinematic project produced by TLVfest and supported by The Yehoshua Rabinovich Foundation for the Arts.
Five different episodes inspired by the life story and films of the director Amos Guttman.
Animated sequences between the episodes were done by the animator Mysh.

The different plots in the project are ranging in genres and different cinematic styles:
1) Sivan Levy brings a video clip about a prostitute, two drug addicts and sexually exploited young man, who are successful in escaping their bitter fate for some moments of grace in the bar which serves as a place of refuge.
2) Yoav Inbar takes us to the beginning of the 80th and tells the story of a young boy from Haifa who decides to make a journey to the gay garden in Tel Aviv.
3) Ronny Almog and Emil Ray in a movie about a middle-aged film director who speaks with young director from “Drifted” (1983) and wonders what has changed for the LGBT people in the past thirty years.
4) Yoav Brill tries, in an animated film, to follow after one of the most intimate and public practices – two guys holding hands.
5) Stephanie Abramovich introduces us to Kati Gutman – it’s been twenty years since her only son Amos died of AIDS. Today, for the first time, she dares to open past wounds.

This movie is part of Amos Guttman Retrospective