Sexy Shorts Mix

A unique and different program – a mix of films that deal with sexuality in a bold and, some might even say, pornographic manner and horror trash movies such as exploitation genre films. The result is a surprising and amusing combination of blood, horror and sex. If you’re looking for short films with plenty of queer sexuality, sexy horror and fun – this is the place for you.

Viewing is 18+ due to explicit sexual content and violence

Duration: 85 min

Warm Film

Two young Serbian actors get an offer to play in a gay movie with daring sex scenes. They are torn between the need to make a living and be famous and the fear of being notoriously labelled. The two begin to research how this subject was treated throughout the history of Serbian, and before that, Yugoslavian, cinema. What was the meaning of queer representation on screen?
Warm Film” is a fascinating and surprising journey through the history of queer cinema in Yugoslavia and post-Yugoslavia region, from the days of the silent movie to the present, especially given the modern rise of nationalism and LGBTphobia in Eastern Europe.

Two of the films discussed in “Warm Film” will be screened during the TLVFest: “Life and Death of a Porno Gang” (2009) and “Marble Ass” (1995).

A House is Not a Disco

A documentary that goes behind the scenes of Fire Island Pines, an upscale neighbourhood in the popular queer beach town of Fire Island, that had become an international hot fantasy, when the first gay porn films were filmed on the beach there, back in the 60’s.
Back in the day, when it was still illegal to be gay, men used to come to these beaches to enjoy carnal desires and lives free of inhibitions and conflicts. Half an hour ferry ride from New York, Fire Island is still a sanctuary for gay men, even more than half a century later.
Actor Brian J Smith (“Sense8”) in his debut film captures the joy as well as the tension between the Island’s residents and the frequent visitors from the “Big Apple”. The film follows the social changes that had taken place in the past decades, since gay men began to arrive at the small, quaint seaside town. Global warming also plays its part as the beach is slowly disappearing.
The result is a piece of history, seemingly of a very specific place, but it’s also a reflection of the entire queer culture. This is a film about a true paradise, wild nature, vibrant characters, the AIDS epidemic and its long-lasting effects, social activism and also a few eccentric types.

High Tide

Brazilian tourist Lourenço is left behind when his American boyfriend deserts him in Provincetown at the end of the summer season. Lourenço passes the time with random hookups, talking to the locals who hire him to do maintenance and flirting with a hot tourist named Maurice (James Bland). Lourenço has to decide how to deal with shadows of his past that won’t let go and the harsh reality of being an undocumented immigrant in the USA.
In his debut film, director Marco Calvani puts Brazilian actor Marco Pigossi (“Gen V”, “Invisible City”) at the heart of a sexy and melancholic story about an immigrant after an unexpected breakup. Alongside Pigossi you’ll find Academy Award winner Marisa Tomei, Bill Irwin (“Rustin”) and Mya Taylor (“Tangerine”).
Marco Calvani created a thoughtful and daring film that raises questions on queer life in the modern world.

Sad Jokes

Like in his debut film “Bones and Names”, director Fabian Stumm manages in his new film to delicately and with very intelligent humor describe modern family structures and all the absurd complexities that life can provide.
Joseph and Sonya share a lifelong friendship and raise a child together. While Joseph, a film director, is busy with his next cinematic project, Sonya suffers from mental illness and struggles with hospitalization. Joseph must juggle between his everyday chores, his artistic aspirations and trying to hook up with a nude model.
Fabian Stumm wrote a wonderful and contemporary script about the turbulence of life and unexpected challenges that might grind you down. “Sad Jokes” is a quietly comic film that manages to touch on complex issues and do that in a smart and entertaining manner.
The film includes guest stars Knut Berger (“Walk on Water”) as the nude model and esteemed German actor/director Sebastian Schipper as himself.


Additional screening: Haifa Cinematheque, 3.11, 20:15


In association with the Embassy of Germany

The Astronaut Lovers

A romantic comedy that takes place during the summer holidays on the Argentinian beach. Pedro and Maxie, two childhood friends, meet as adults after years of not keeping in touch. Pedro is out and proud and is very much amused by Maxie’s curiosity and his joking flirting. A sudden twist in the plot comes when Maxie tries to make his ex-girlfriend jealous by telling her he and Pedro are a couple. Now, the two must fake a loving relationship in front of their friends during a joint summer holiday. Their little role play suddenly takes on a whole new meaning.
Marco Berger is one of the best and most interesting LGBTQ directors working today. In his films he explores contemporary masculinity, sexuality and sexual curiosity. The result is extraordinary in its quality and brings us a fresh cinematic take on an old trope.

Winter Boy

Christophe Honoré’s (“Dans Paris”, “Love Songs”, “Man at Bath”) new film is an autobiography, and for the first time brings the director’s story to the big screen.

Lucas (Paul Kircher) is going to a boarding school, far from the small town where his parents live, and has a boyfriend, a fellow student. Lucas has endless joie de vivre and he can’t wait to graduate and join Quentin (Vincent Lacoste), his older brother, in Paris. A sudden tragedy turns Luca’s world upside down and everything he took for granted is suddenly taken from him. Lucas is filled with sadness and despair, lost in his own pain. His mother Isabelle (Juliette Binoche, in a very moving role) doesn’t really know how to help her youngest son. Lucas joins his older brother in Paris, but Quentin is not emotionally available to support his young sibling, and so 17 years old Lucas has to find his own path, looking for solace in the cold wintery Paris, through dating apps and problematic sexual encounters.
Paul Kircher is perfect as Lucas, a blunt young man who cannot express, contain or release the enormous pain he’s carrying. His scenes with Juliette Binoche create intense and heartfelt complexity.
Winter boy” gives us an intimate glimpse into the world of a teenager on the cusp of adulthood and the journey of that boy to try and find his way back to hope.

All of Us Strangers

One night, in an almost empty apartment tower in current London, Adam (Andrew Scott) has a random meeting with a curious neighbor Harry (Paul Mescal), a meeting that brings life to his daily routine. When a relationship starts to develop between them, Adam is drawn to the memories of his past and finds himself returning to the working-class town where he grew up in and his childhood home where his parents lived. To his immense surprise, his long deceased parents (Jamie Bell and Claire Foy), still live in the house and look exactly as they did 30 years ago.

Directed by Andrew Haigh (“45 years”, “Weekend”).


The movie is also available on Disney Plus

OUT

Tom and Ajani have been a couple since they were in high school. They yearn for a life outside their small rural community in the Netherlands and the solution is Amsterdam, where the queer scene is lively and they can both live their dreams. Tom is planning to study films and become a director and Ajani discovers the nightlife, makes new friends and maybe finds a new identity. Both are destined to ask themselves for the first time who they really are and how they fit in the world, or even with one another.
In his debut film, director Dennis Alink gives us a thrilling glimpse into the world of young queer folk today who are on a journey of self discovery that is unapologetic, full of life and heartbreaking all at the same time. The film is shot in a stylish black-and-white cinematography that brings to mind classic films about coming-of-age, such as Peter Bogdanovich’ “The Last Picture Show” and Gus Van Sant’s “Mala Noche”.

Viewing is 18+ due to explicit sexual content and drug use.

 


Courtesy of PrideTV