Classic Archives

Bar 51

Amos Guttman’s second feature film tells the story of a brother and sister from the country, who decide to find their luck in the big city Tel Aviv after the death of their mother. They meet Apollonia, the owner of a sleazy joint called “Bar 51”, who employs them at the bar, mostly because of her strong attraction to the brother, who in turn, is secretly in love with his own sister.
Apollonia is played by Ada Valerie Tal, the first Israeli transgender actress, and her character is based on Gila Goldstein, who used to perform at the real “Bar 51”.
“Bar 51” is a stylish creation that reminds of the early works of Fassbinder and Almodóvar.

Contains depictions of violence, including sexual assault and self harm.

Drifting (Nagu’a)

Amos Guttman’s debut film is a groundbreaking cinematic piece and considered to be the first Israeli feature film that deals directly and seriously with the subject of gay men in Israel.
Robi lives with his grandmother and works in her grocery shop. Robi has two obsessions – men and movies. All his sexual encounters are channeled towards fulfilling his dream – becoming a film director.

Keep Not Silent – Ortho-Dykes (Et SheAhava Nafshi)

Celebrating 20 years of the premiere of Ilil Alexander’s groundbreaking film

Following the screening we will conduct a Q&A session with the creator of the film and a number of notable religious lesbian activists.

An Israeli documentary film from 2004, which won the Ophir Award for best docu, directed and produced by Ilil Alexander.
The film follows three Ultra Orthodox lesbian women living in Jerusalem and struggling with their sexual preference and their attraction to women. The film details the conflicts standing in their way – the wish to fulfill their desires and be authentic in their love and their loyalty to their families and their religious faith, and follows their lives and struggles.
The Hebrew name of the film comes from Song of Songs, 3:1 – “By night on my bed I sought him whom my soul loveth; I sought him, but I found him not.”

The film was screened in cinemas and on TV in the USA, UK, Canada, Australia, Denmark and Poland, as well as in Israel.

Marzipan Flowers

A special screening in memory of Rotem Kalderon, mother of Adam Kalderon
All the proceeds from the screening will go to the rebuilding of kibbutz Be’eri
Special guests: Mika Kalderon, Nouli Omer, Tal Kalay and Efrat Aviv

Adam Kalderon, a native of kibbutz Be’eri, filmed there his debut feature “Marzipan Flowers” during the military operation “Amud Anan” (2012). The script was inspired by events from his mother’s life, who also assisted with the production. A decade had passed since the release of this special and different film. Kalderon’s 2nd feature “The Swimmer” screened at TLVfest 2022.

Hadas is working at the kibbutz laundry, when she’s informed that her husband Moshe was killed in a traffic accident. In one second Hadas’ entire world crashes down. After a hard year of mourning, the kibbutz is getting too stifling for Hadas and she realizes she can’t move on with her life. She decides to leave the kibbutz, where she lived her whole life, in favor of a new life in Tel Aviv. Penniless and provincial, she shares an apartment with Petel, a vibrant trans woman, and works as a waitress. The journey to the big city makes Hadas confront the fact that her youth is gone, but also with the dreams she never fulfilled, and she decides to realize those desires: she opens up her own place and experiences a late marzipan blossoming.

Himmo, King of Jerusalem

Amos Guttman’s third film is an adaptation of a book by Yoram Kanyuk.
Even though the film doesn’t deal with explicit LGBTQ themes, but with the Israeli War of 1948, it is steeped with criticism of the existing societal norms and the ideal of masculinity. Guttman’s unique style and cinematic language are imbued well in this film. There is a prevalent subtext of homoeroticism and complex relationships between the soldiers, especially Frangi and Assa (played by the young Amiram Gabriel and Dov Navon).
Hamutal, a young nurse who volunteers in a military hospital improvised in an abandoned monastery, is inexplicably drawn to Himmo, a soldier severely injured during the battle for Jerusalem. Favoritism sparks jealousy among the other wounded soldiers and highlights the tension between attraction and revulsion, compassion and pain, the life force and the wish to die – a conflict that is accentuated by Edna Mazia’s macabre and humoristic dialogues.

Fabric Stories

Amos Gutman’s first film, discovered in the Channel 1 archives and restored, tells the story of Israeli fashion. But more than that it reveals the birth of one of the most important local filmmakers.
The film was made in 1978, 5 years before Gutman’s directorial feature film debut “Drifting“ (“Nagu’a”). On the surface it’s a documentary focusing on the Israeli world of fashion in the late 70’s, but in fact, the film uses that world to produce a cinematic
language incorporating different styles from scene to scene. Rather than your typical talking heads and fashion footage, this is a much surrealistic journey of what Gutman himself saw and perceived as fashion.
At the time, the film did not sit well with TV executives and after single screening was sent to the archives.

In association with the Film Archives of Israeli Television – Channel 1

Jerusalem Is Proud to Present

After the screening, a panel will take place with 3 LGBTQ activists from different cities –
Reut Nagar (Tel Aviv), Shiri Bar-On (Mitzpe Ramon) & Nava Dissentshik (Rosh Haayin), hosted by the film creator Nitzan Gilady.

In the summer of 2006, Jerusalem was to host, for the first time in history, the World Pride events, which were to culminate in a traditional gay pride parade. The planned events stirred turmoil in the politically complex city, with Jewish, Muslim and Christian religious leaders banding together in an uncompromising battle against what they said would “defile the holy city”. On the other side stood the activists of the Open House, Jerusalem’s LGBT community center, who planned the events. Steadfast in the face of the heated and violent anti-gay sentiment, they had to deal with threats to much more than just their right to march.

Gay Days

The screening will be followed by a panel with Yair Qedar, Elliott, Michal Eden and Omer Ohana, on the subject of the Israeli LGBTQ community 15 years ago (when the film was released) versus today. What had changed for the better and what had not?

Director Yair Qedar chronicles Israel’s LGBT revolution in a series of interviews and archive footage and in the process, shares his own story – a boy from a small town who arrived in Tel Aviv in the mid-eighties and embarked on a journey that began with oppression, before plowing on towards equality and along the way, starting the free LGBTQ publication, The Pink Times (‘haZman haVarod’).

Eyes Wide Open

Aaron is a respected butcher in one of the ultra orthodox communities in Jerusalem, he is married to Rebbeca and they have two children. When Aaron is looking for an assistant to fill his deceased father’s place in the shop, he meets Ezri, a handsome yeshiva student who is looking for a place to stay.
Aaron takes Ezri under his wing and becomes his mentor. One day, at a remote mikve (a Jewish ritual bathhouse), a deep connection is formed that is shaking Aaron’s whole being. Aaron is developing feelings towards Ezri, spends more and more of his time with him, neglecting his family and his duties to his community and gets swept into a vortex he can’t get out of.

Amazing Grace

Newly-Restored Digital Copy of Amos Guttman’s final masterpiece.

Young Jonathan moves to the city, but can’t find happiness. He meets the older Thomas, who recently returned from years abroad and is hiding the fact he’s been diagnosed with AIDS. The two develop a tender relationship, yet only one of them knows that their time together is about to run out.

“Amazing Grace” was made in the early nineties, when AIDS and HIV were discussed in a very politically incorrect way. Nonetheless, it is still a very touching film, thanks to Guttman’s gentle direction and the excellent performance by the cast.

Amnon Zalait is responsible for the beautiful cinematography of the film and Arkadi Duchin for the wonderful original music. Excellent editing by Einat Glaser-Zarhin.

The New Digital Copy supported by Israel Film Fund, Mifal Hapais, Israel Film Archive Jerusalem, Maureen Friedman

Special thanks to Maureen Friedman.

Clip from “Amos Gutman, Filmmaker“

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Classic

Bar 51

Drifting (Nagu’a)

Keep Not Silent – Ortho-Dykes (Et SheAhava Nafshi)

Marzipan Flowers

Himmo, King of Jerusalem

Fabric Stories

Jerusalem Is Proud to Present

Gay Days

Eyes Wide Open

Amazing Grace

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